Rule 53: Travel Light — But Not Too Light

It doesn’t happen as often as I’d like, but every so often I actually do manage to take my own advice. Case in point came over the weekend while shooting a play that a friend of mine directed. Not knowing where I’d be able to find seating, and wanting a degree of flexibility in my shot options, I decided I’d pack the camera with the 28-300mm lens attached. All done, right?

Nope.

Even when I’m traveling light — body, one lens, small bag — I try to be careful not to travel too light. My D600 has two SD slots (each of which usually has an 8GB card in it). My battery, rated for 1,500 shots or so, had been charged that morning. And with an all-in-one lens, it’s not as though I needed to carry my big bag, with my other four lenses. I could easily have shot the entire evening on just two memory cards and called it a day, in theory.

That’s all well and good, except that at some point, theory collides with practice, and that’s when things start to get hairy. In this case, things getting hairy involved my first memory card flashing an error message about fifteen minutes into Act One. Luckily, I hadn’t packed only the camera, lens, and monopod; I also had a spare battery, four spare memory cards, and a cleaning kit. I was able to pop out the defective card (which at least retained the shots I’d already taken, even though it’s now dead as a doornail), put in another, and continue shooting.

I understand as well as anyone that camera gear is bulky, heavy, and sometimes quite literally a pain in the neck to lug around. I don’t necessarily suggest carrying every last piece of your kit everywhere you go. There are times you just don’t need everything. At the very least, however, make sure you have enough. Have “spares,” whether it’s an extra lens if you’re shooting somewhere hazardous (if you fall and clobber one lens, you’ve got something else to shoot with), an extra card (because they can, and do, fail) or a spare battery, even if you’re in the habit of keeping them fully charged (if you’re shooting in the cold, your battery life shortens markedly; you can warm the battery back up in a pocket, but you’ll still need something with which to shoot in the meantime). Cleaning supplies are also a must; it doesn’t even have to be an elaborate cleaning kit. Just one of those lens cloths in a neoprene pouch can be a lifesaver if your lens gets smudged, or if your glasses get so filthy that you can’t see the viewfinder properly.

How ’bout you? What are your absolute essentials when you’re traveling light? Have I left something out? Sound off in the comments!

Drummer

10,000/365 Day 7: One Photo Per Hour

Probably not for the last time this year, I’ve fallen short on my own project, which was to shoot one photo per hour today. The point of this exercise — which I’ve actually done at other times, and will likely revisit at some point soon — is to get you in the habit of shooting. Nothing more, nothing less. On Day 8, we’ll start getting a bit more specific about elements of photography. Stay tuned!

Keep up with the project, share your progress, feedback and questions:
Project page (where you’ll also find a FAQ and other goodies)
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10000-365-07

10,000/365 Day 6: “Before”

Today’s assignment is to find something in transition, or that will soon be in transition, and to photograph it. You’ll come back to it later this year for an “after,” though you may also want to revisit it periodically at other times of year to chart its progress. I’ll confess that I’m using a photo from November for my Before in this instance; it’s from the boardwalk in Point Pleasant Beach, NJ, and reflects what a part of it looked after Hurricane Sandy.

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Day 06 PPB Boardwalk_mini

Gloves for Photographers

If you’re reading this right now in the Northern hemisphere, odds are better than even that it’s flippin’ cold out; if you’re reading from the Southern hemisphere, bookmark this and save it for a rainy (or rather, freezing) day and come back when you need it. Today we’re going to talk about one of the most fundamental things for cold weather photography: keeping your hands toasty, since nice gear doesn’t count for much if your digits are frostbitten.

There are quite a few options when it comes to gloves for photographers; I’ll be listing a few and discussing the pros and cons of each.

Let’s start with Thinsulate gloves. These are great when it comes to keeping your hands warm in cold weather. When it comes to shooting? Well, now, that’s something else again. Thinsulate’s great when it comes to keeping the cold out, but it can also feel like your hands have turned to sausages. It’s difficult, if not impossible, to feel the controls under your fingers, and equally difficult to finesse things like function keys and touchscreens. Even gloves that are designed with fingertips that can work with touchscreens tend to be a bit too bulky to ensure getting it right the first time, and if you’re trying to catch a skittish deer or a bird in flight, you really don’t want to miss the shot because your gloves decided you’d rather adjust your white balance than, say, your exposure settings.

Another option are gloves or mittens that allow you to remove the top portion to leave your fingertips exposed. These work fine in principle, since it leaves your fingers free to manipulate dials and buttons. Problem is, you end up either having to yank them off every time you want to shoot or change a setting, or you just say the hell with it and leave that part off, in which case you’ve got cold, numb fingers. That won’t do either.

So you can try thin leather gloves. Some are insulated, so they’re warm. They’re also thinner than many cloth gloves (though they can be stiffer in some cases), but they can still be clunky and stiff unless you’re dealing with driving gloves, which aren’t particularly practical in the cold. So leather also may not be your best bet.

What to do? There are photographer’s gloves out there, but like everything else marketed to photographers, some can be a bit pricey. Luckily, unlike some things made for photography, you’ve got good — and inexpensive — alternatives. Case in point: a pair of Hatch Specialist all-weather shooting gloves that I recently received for Christmas. They’re designed for hunters and law enforcement. It’s a different kind of shooting, but the principle’s the same when you get right down to it; you need the gloves to keep you warm, but otherwise, you need them to stay the heck out of the way. The gloves I’ve got perform pretty well in both respects. They have a degree of touch sensitivity that allows me to be a lot more confident when I’m changing settings on the fly.

Three cautionary notes about these gloves: first of all, I don’t know where they get off calling these “all-weather.” Granted, they’re water repellent (not waterproof) and warm, but not quite as warm as my bulky Thinsulate gloves or my nice Isotoners (one or the other of which stays in my jacket pocket for the times when the camera’s not out). The Neoprene material feels like it’d likely be sweaty on a hot day, though at that point you’re not likely to need gloves for photography anyway. The palm and finger surfaces of the gloves also conduct cold. The other evening, shooting in what felt like low 30’s/upper 20’s (Farenheit), my hands and fingers stayed warm enough, at least until I had to actually use my camera, or open doors; in both instances, the rubberized parts of the glove reminded me in no uncertain terms that I was gripping something cold.

Second, regardless of the type of gloves you decide to use, make sure you wear them. Cold temperatures, especially if you factor in wind and/or precipitation, can do a number on your hands. No matter how good a day’s shooting you have, it probably won’t compensate for things like frostbite or nerve damage. Third, make sure the gloves fit. If you’re doing something — like shoveling snow — that doesn’t require much dexterity, a little extra bulk or tightness isn’t a terrible thing. But when the whole point of a particular pair of gloves is to make it easier to get your digits where you want ’em, even the right glove in the wrong size isn’t going to be your best option.

Any other suggestions or input? Sound off in the comments section!

Your purchase of the Hatch gloves mentioned here (or pretty much anything else, for that matter) through that Amazon Affiliate link helps keep The First 10,000 going… and keeps us ad-free. Thanks!

 

Hatch Specialist All-Weather Shooting/Duty Gloves
Hatch Specialist All-Weather Shooting/Duty Gloves

 

10,000/365 Day 5: Shoot Something Terrible

It’s easy for us to convince ourselves that our photography’s just plain awful. There are times — at least on a picture-by-picture basis — that this is true; after all, none of us, no matter how much we wish it were otherwise, does our best work 100% of the time. The point to today’s exercise was to shoot something awful on purpose. It’s a reminder that being truly terrible takes hard work, and that as long as you’re always improving in your craft, there’s no reason to be down on yourself or your photography.

A Bit of Inspiration:
Sometimes we need a reminder to Tame Your Inner Critic. If someone else appoaches you about their work, on the other hand, try to Be the Right Kind of Critic.

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DSC_8371

10,000/365 Day 4: Free Shoot

Happy Saturday. I’m a bit late posting today’s assignment, having spent an evening shooting. That’s okay; today’s assignment is/was an easy one… you can photograph any old thing you want. Now enjoy your weekend (don’t forget to come back for tomorrow’s assignment) and get out there and shoot!

Keep up with the project, share your progress, feedback and questions:
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Nabisco

10,000/365 Day 3: The View From Your Window Checkpoint

No matter how much you love photography — and I like it quite a bit — there are days when you really don’t want to leave the house. Maybe it’s snow, rain, 90-degree heat, or it’s just not a fit night out for man nor beast. The challenge on days like that can be finding something, anything, to shoot. So try the view from your window, and see where going nowhere takes you.

A Little Inspiration:

The inspiration behind this comes from Andrew Sullivan’s The View From Your Window, which has been an on-again/off again column-ish contest thingy that he’s done on and off since his time at The Atlantic. You can have a peek at the current incarnation here (there’s also a link to the book by the same name): http://andrewsullivan.thedailybeast.com/2012/04/the-view-from-your-window-contest-2.html

Keep up with the project, share your progress, feedback and questions:
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Fire Escape
Day 3: The View From Your Window

10,000/365 Day Two: Self-Portrait Checkpoint

Let me preface this by saying that I intensely dislike having my photo taken. And taking my own photo seems even worse in some way, because… well, it just seems odd taking your own picture. Or maybe I’ve just been on Facebook for too long, and have seen too many silly shots of people with serious duckface, or too many half-assed shots in mirrors. So I’m not sure how I’m going to convince myself to take my own photo for the next twelve months (I’m stubborn even when I’m talking to myself). But I’ll worry about the next one next month.

A Little Inspiration:

Some time ago, I did a short tutorial on shooting self-portraits, and you can see that here. If you’d like to see a photographer who’s raised the self-portrait to an art form, Cindy Sherman would probably be the sine qua non.

Keep up with the project, share your progress, feedback and questions:
Project page (where you’ll also find a FAQ and other goodies)
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10,000/365: JANUARY: A Few Fundamentals

Today starts the first month of the First 10,000’s 2013 365 Day Project. Since that’s a bit of a mouthful, from now on I’ll be referring to it as 10,000/365.

Last year’s project was a bit of a mess. I had the bright idea of starting off mid-year, which didn’t work too well; the fact that the project itself had no logical order probably didn’t help matters much, either. So this time out, I’m starting on January 1, and also organizing things in a way that will hopefully be a bit easier to follow. The first month’s projects will be geared toward photographers who are just getting started, or toward photographers who’d like to brush up on their fundamentals. Each exercise will give you a fragment of your camera’s capabilities to work with, so that by the time the month is out, you should be pretty comfortable with it, and how it works. When next month starts, we’ll be delving into some fundamentals of composition and finding your own visual “voice” and style.

But for now, let’s not get ahead of ourselves. Below this post, you’ll find the first day’s assignment. If you’d like to see what’s ahead, you can head to the project page. If you’d like to share with others who are doing the project, head to our Flickr group page. And if you have questions or suggestions, contact us. Meantime, let’s get shooting!

Keep up with the project, share your progress, feedback and questions:
Project page (where you’ll also find a FAQ and other goodies)
The entries day-by-day (the blog entries)
10,000/365 Flickr Group (to share and discuss your shots)

10,000/365 Day One: Landmark Checkpoint

Let’s get started. On the first day of the project, I’d like you to choose a landmark and make its picture. Choose carefully, because you’re going to be shooting the same place on the first of each month for the next year. Sound intimidating? Don’t worry; see this — and each of the next 364 days’ projects — as a challenge, or better still as an invitation to stretch out. How many angles, times of day, and details might you be able to wring out of a single subject? Well, you’re about to find out.

A little inspiration:

Claude Monet painted a famous sequence of paintings of the Cathedral at Rouen, France. You can read more about that, and him, here. Photographers have also revisited the same landmark from time to time throughout their careers, as Lewis W. Hine did during the construction of the Empire State Building. The George Eastman House holds much of Hine’s work, and has made it accessible online here.

Keep up with the project, share your progress, feedback and questions:
Project page (where you’ll also find a FAQ and other goodies)
The entries day-by-day (the blog entries)
10,000/365 Flickr Group (to share and discuss your shots)